![]() ![]() When it comes to modern hip-hop, lo-fi effects are essential. In addition, you get oscillator waveform editing (with geomorph, spectromorph, geoblend, and spectroblend modes), 24 special effects (filter, sync, scatter, phase distortion, and others), up to 16-voice polyphony, stereo VCA with pan and volume modulation, and VCA oscillator stacking with adjustable stereo width (single, dual, quad, and eleven modes).Īs well – ADSR envelope with fall / rise (sustain slope) and velocity controls, modulation options (modwheel, velocity, pressure, breath, key follow, gate, etc.), two LFOs (global and one per voice), 32-stage MSEG (multi-stage envelope generator), three effects (chorus / phaser, EQ, delay), MIDI learn / unlearn, polyphonic aftertouch, 300 factory presets, scalable UI, and more. Where Zebra2 comes with four insanely powerful oscillators, Zebralette comes with just one (although it comes with a 16-slot waveset). Zebralette is an introductory synth that’s meant to lure you into the world of their premium Zebra2. Well, don’t worry, because we’ve got your bases covered here, either way – or, should I say, u-he’s got you covered. It’s kind of a facetious comment, sure, but some beat makers really do take their software synths seriously. I had a lot of fun using this one on a recent film score I composed.Įlectronic music producers of all styles will probably agree – you really can’t have too many synths. ![]() ![]() TyrellN6 features two oscillators, noise, ring modulator, two LFOs with eight waveforms, host-syncable, audio source mixer with overdrive and filter feedback, twin filter (like one of their popular premium synths, Diva), ADSR envelopes (loopable or LFO triggered), customizable UI, and over 580 factory presets. I don’t mean to talk it up too much, because inevitably someone will return later to tell me they don’t think it even compares, but TyrellN6 does sound quite good, and it comes with a ton of sounds that are well worth experimenting with. The moment you add this synth to a channel and start auditioning sounds, you will feel like you’ve plugged in a classic, warm analog synth. U-he is well-known for their premium and free products alike, and it’s not hard to understand why. That could be why u-he’s TyrellN6 stands out from the pack. For better or for worse, though, free synths are a dime a dozen. Whether for riffs, melodies, or hooks, essential to every hip-hop production are gritty, saturated, versatile synth sounds you can shape and mold to your heart’s content. Top Free Hip Hop VST Plugins, Final Thoughts.Free Kontakt Player 6 by Native Instruments.While these were obviously created for compositional and soundtrack purposes, they are capable when it comes to other genres as well, especially when you’re trying to get the most organic, authentic sounds of instruments possible.Īs a producer on the hunt for the best free tools available, LABS is an indispensable partner to have in your corner. Some of their most recent releases include LABS – Electronic Antique, LABS – Vintage Drums, and LABS – Foghorn. The LABS series continues to grow, and as of this writing, there are 53 instruments in the categories of basses, brass, choir & vocals, drums, experimental, folk & world, guitars, hybrid, orchestras, percussion, pianos & keys, plucked, strings, synths, and woodwinds. And while their functionality is usually quite sparse, and they are one trick ponies, their sound is hard to argue with. Each one feature the highest quality of samples available. Spitfire Audio, though, has been setting a new standard with their LABS series of virtual instruments. This was more than enough for sketching and demos, maybe even some lo-fi commercial work, but it wasn’t ideal for soundtracks and commercial releases. In the early days of VSTi development (especially free plugins), instruments tended to sound unnatural, inorganic, and low quality. Top Free VST Plugins For Cakewalk, Final Thoughts.VladG Limiter N☆ by Tokyo Dawn Records. ![]()
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